King Lear UK (1971): Drama 137 min, Rated PG, Black & White, Available on videocassette Blindness and nothingness are the controlling metaphors in this gray, cold Peter Brook production. Movie Reviews Great Movies Collections TV/Streaming Features Chaz's Journal Interviews Cast and Crew Pauline Kael Find on IMDB. Pauline Kael has written 541 movie reviews between 27 Feb 1936 and 01 Jul 2020. Pauline Kael, Reviews A-Z Some lunatic has put online all 2,846 of Pauline Kael's capsule reviews from her fine compendium, 5001 Nights at the Movies . In her nearly quarter-century (1968-1991) reviewing films at The New Yorker, Pauline Kael became the most widely read, the most influential, the most powerful, and, often enough, the most provocative critic in America. OGG VORBIS download. Pauline Kael was one of the most acclaimed, opinionated, and clever movie critics. This Week’s Issue. I used to look forward to her comments. 518 Views . … Browse Issues; Vogue's Notebook Movies: The Nanny December 1965 Pauline Kael Movies: The Nanny Pauline Kael December 1965 . Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. The first was Christmas 1971. Her forthcoming anthology is called Hooked. It was a formula for heartbreak – a heartbreak I think the acolytes felt more deeply than their mentor. The hour grew late. I pulled up a chair and began time-honoured bedside chatter: how are things, fall is early, blah, blah, blah. In manipulating Pauline, the critical bete noire of commercial Hollywood, he accomplished both.). In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic. Segregated public lavatories at City Hall, Johannesburg, South Africa, 1984 . Many of these sour skeptics TP’d the Rodgers-and-Hammerstein cathedral with reviews that ranged from mixed to malevolent. Mine came in two stages. I knew she had just returned to Great Barrington after two operations in Boston. I was in doubt. So was my friend Paul Warshow. For a more extended discussion, see Pauline Kael's book When the Lights Go Down. Fortunately, an opportunity for rapprochement availed itself 10 years later. Our website support team can be reached by email on info@cinafilm.com or by phoning +44 3300 431 396, Cinafilm IP, Office 12693, PO Box 15113, Birmingham, West Midlands, B2 2NJ, United Kingdom, Cinafilm has over seven million movie reviews and counting …, Follow us for reviews of the latest movies, Deriving endless anxiety from brawny men moving as gingerly as possible, it’s a riveting anti-action movie, one of the most memorable…, A road movie using undeveloped land as a blank screen on which to project a dark deconstruction of masculinity and manifest destiny…, The largely amateur cast of black performers and their producer-director may be involved in basically simple action fare in The Harder They…, The film may be a relic now, but it is a fascinating souvenir - particularly in its narcissism and fatalism - of how the hippie movement…, Given the seriousness of the subject matter, it's surprising—and ballsy—that De Palma makes Casualties Of War a full-on De Palma movie,…, A perplexing misfire more than a complete dud, The Misfits‘s true legacy remains in the personal histories of those involved with the…, No other film has ever dramatized urban indifference so powerfully; at first, here, it's horrifyingly funny, and then just horrifying…, Is it a great movie? Home; In the Press ; Recent Comments; Meet the Critics; David Churchill (1959-2013) About Us; Contact Us; Subscribe; Friday, November 26, 2010. I recognize the positive impact she had on film criticism and film appreciation, and feel this outweighs the cooling effects and misplaced praise she was also responsible for at times. DOWNLOAD OPTIONS download 1 file . The phone would ring. Godard Among the Gangsters. Terry Rafferty, New Yorker film critic, moved near my country house in Chappaqua. It was an arts town – a movie town, a serious town. My mother had died in 1978, and I blamed myself for not expressing my love for her until it was too late. But it's a triumphant piece of filmmaking-journalism presented with the brio of drama…, It’s so derivative that it isn’t a thriller—it’s a crude, ghoulish comedy on thriller themes…, It is more than faint praise to say that Popeye is far, far better than it might have been, considering the treacherous challenge it…, Seeing “Raiders” is like being put through a Cuisinart—something has been done to us, but not to our benefit…, Levinson's dialogue feels fresh and improvised, yet it hits its mark every time, and the performances he gets are complex and original…, The film exudes complacency and self-congratulation; it is a very cowardly, craven piece of ersatz art…, It's safe, it's mainstream and it's silly, but Guttenberg and Hannah strike up enough chemistry to give this big budget apparition at least…, This is quite simply one of the saddest movies ever made, a tale of loss, grief and absolute loneliness, an unflinching stare into the…, Pfeiffer is a revelation in her part, almost stealing the film…, A bold but ultimately doomed effort that will irritate all but cultists of the bizarre and the most rabid fans of Mr. Cage…, Most of the players give impossibly bad performances-they chew up the camera…, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020). Well, she lived, I was accepted at UCLA and my life changed. I had never made a living as a writer. By Pauline Kael (541) for The New Yorker (14,425) on 01 Jul 2020, By Pauline Kael (541) for The New Yorker (14,425) on 15 May 2020, By Pauline Kael (541) for The New Yorker (14,425) on 03 Oct 2019, By Pauline Kael (541) for The New Yorker (14,425) on 15 Sep 2019, By Pauline Kael (541) for The New Yorker (14,425) on 05 Jul 2019, By Pauline Kael (541) for The New Yorker (14,425) on 25 Dec 2018, By Pauline Kael (541) for New Yorker (1,409) on 05 Sep 2018, By Pauline Kael (541) for The New Yorker (14,425) on 05 Sep 2018, By Pauline Kael (541) for The New Yorker (14,425) on 26 Aug 2018, By Pauline Kael (541) for The New Yorker (14,425) on 16 Jul 2018, By Pauline Kael (541) for The New Yorker (14,425) on 22 Jun 2018, By Pauline Kael (541) for The New Yorker (14,425) on 07 Jun 2018, By Pauline Kael (541) for The New Yorker (14,425) on 25 Apr 2018, By Pauline Kael (541) for The New Yorker (14,425) on 16 Apr 2018, By Pauline Kael (541) for The New Yorker (14,425) on 04 Mar 2018, By Pauline Kael (541) for New Yorker (1,409) on 03 Jan 2018. Pauline was then writing for the New Republic. She was unmoved: “I need an answer.” I asked if I could have a week to think about it (it was the holidays, after all). Find on Wikipedia. I said something to the effect: “If you need the answer now, the answer would have to be no.” Silence. In … Be the first one to write a review. Pauline Kael, whose film criticism anchored The New Yorker between 1968 and 1991, would have turned 100 on June 19. Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. I told her the thing I had never told my own mother on her deathbed. Features/Articles/People The Adventurers: Skulduggery Aboard the "Madame V" December 1965 By … I couldn’t understand how she could champion L’Avventura but not La Notte. Readers have praised how “unpredictable” [55] Pauline Kael’s reviews were, but how could that ever be a good thing? By Mark Feeney. Before Kael came along, the movie reviews in the back of the New Yorker were kept to a polite length encompassing a few paragraphs. Pauline Kael Reviews A-Z. She joins Fresh Air to talk about the state of the film industry and the changing tastes and expectations of audiences. UCLA was then, as now, the acme of film schools, very difficult to get into, but she was friends with its head, Colin Young. He mentioned Pauline, and I asked if he would call her, speak to her on my behalf. I spoke in gentle tones, clearly a mistake. What She Said: The Art of Pauline Kael (2019) Nell Minow . It was the summer of 1967 and we were in New York City. Retorts shot from her mouth like spinning razor blades, adjectives zipping passed my head, adverbs cutting my bare arms, clauses battering my torso. So we went to her apartment for dinner. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. Pauline Kael has awarded high ratings to Planet of the Apes (1968), The Godfather: Part II (1974), Invasion of the Body Snatchers … She was my only way out of Calvin, the Christian Reformed Church and Grand Rapids, Michigan. I liked it. She said she wasn’t fit for company. You better try hard to be a screenwriter.”, The second break was in 1979. I called and said I’d like to stop by. What if this ultimate family drama were to be reenacted? Thus I was ushered into the Paulettes. Features The Great Performances of 2020. I explained to her that I’d been experiencing some personal turmoil and was thinking about writing a screenplay. “You don’t want to be a minister,” she told me. My time, I realised, was up. Those were the days when I would go to bed at night and pray to God to keep Pauline Kael alive. I thought she was being harsh; later experience made me realise she was being kind. She found my advocacy of Luis Buñuel and Ingmar Bergman quaint. Always small, she now seemed skin and bones. EMBED (for wordpress.com hosted blogs and archive.org item tags) ... pauline-kael-last-broadcast-kpfa-and-report-to-t.eTDvC8.popuparchive.org. After a sustained embrace she said: “I saw your film The Comfort of Strangers. I sent her the script of Taxi Driver and had dinner with her and Brian De Palma at the Algonquin Hotel after the film’s release. Edited and reprinted with permission from Paul Schrader, Film Comment magazine and Film at Lincoln Center. download 1 file . (Warren is the master of patient seduction. The break was then complete. The following morning, after scrambled eggs and toast, she escorted me out. And was thus my enemy. “You want to be a film critic. I asked her to lunch on the lot. Nor had I read Pauline Kael’s review before; I wanted to write about a film and a review that were both new to me, chosen almost blindly, on the chance that doing so would reveal something about Kael almost at random. She was one of the most influential American film critics of her era. In the Review Archives: 1980–1984. This film critic has awarded movies a score of 67% on average. Her review, blown up and mounted outside the movie house, brought Godard’s film back for a successful run. First off, I love reading Kael’s (archived) reviews, regardless of whether I always share her opinion (who can?). Her daughter, Gina, ushered me up to Pauline’s bedroom, and I was taken aback by her appearance. I explained that she was free to say anything about me she wished in print; when she bad-mouthed me at a cocktail party, she was not acting as a critic but as a Hollywood insider. Citizen Kael Richard von Busack recalls the impact of film critic Pauline Kael By Richard von Busack. I could encompass her wrist between my thumb and forefinger. I was returning from Canyon Ranch in the Berkshires. She wanted my opinions on movies. She had a taste for violence in films, but only when it was purpose and she disliked movies she felt were superficial or manipulative. Vogue Archive. She had recently reviewed Masculin-Féminin after it had lasted but a week at the New Yorker cinema. To find a movie title, click on a letter. December 1965 Pauline Kael Login to Read This Article. Herself (archive footage) Blog Posts. Now she’d told David Chasen, a vice-president at Columbia Pictures, that I was a good writer but a terrible director. Having drunk excessively, I ended up on the sofa. Available for everyone, funded by readers. If I didn’t try now, I never would. 2 Favorites . ITEM TILE download. Those were the days when I would go to bed at night and pray to God to keep Pauline Kael alive. You’ve become a good director.” I didn’t care so much if she thought I was a good director – what mattered was that she cared for me. If she dies, I’ll be trapped there forever! Pauline Kael / September 10, 1966. She offered to help me get accepted at UCLA film school. Reviews There are no reviews yet. Hulton Archive/Getty Images. I told her I would stop by nonetheless. She explained that she was thinking of me for a paper in either Seattle or Chicago; Seattle, she felt, would be best. Ian Berry/Magnum Photos. Let me tell you about the state of film criticism before the late Pauline Kael entered the fray. Independent reviews of television, movies, books, music, theatre, dance, culture, and the arts. Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. © 2021 Guardian News & Media Limited or its affiliated companies. Pages. I had flown to New York to visit her. That headiness, that evangelical purpose, permeated the room. Pauline also had an office on the lot, having been brought out by Warren Beatty to develop scripts. It simply means that she had no consistent way of looking at art, and was therefore perpetually lost, deriding a cliche in one film, then praising it in another, all the while constructing reviews that — if not merely full of invective — were either non-topical, or full of holes and contradictions. Read some of the reviews on this page to find out why Pauline Kael liked these movies so much. At that time, newspapers and magazines around the country would solicit Pauline’s recommendations before hiring a film critic; she was the clearinghouse. I told her that I loved her. I don't think so. I remember the evening I first met Pauline as vividly as a first date. Kael … I didn't care so much if she thought I was a good director; what mattered was that she cared for me. I saw her again that summer and corresponded after returning to Calvin College, sending her articles I’d written for the school paper. Love her too little and she attacked you; love her too much and she disregarded you. Pauline Kael was the most renowned film critic of the 20th century. Pauline Kael has written 541 movie reviews between 27 Feb 1936 and 01 Jul 2020. Reviews. Kael in wikipedia; Pauline Kael, Reviews A-Z (2,846 reviews in all) Viewing the parcels of Pauline: Kael's library is a cinematic gold mine. Movies: The Nanny. PAULINE KAEL: TOP RATED FILMS by eean_dee | created - 15 Jun 2017 | updated - 18 Jun 2017 | Public The infamous film critic Pauline Kael's top rated films as of the time of her demise in 2001. I had seen her a couple times in the intervening years. Vogue's Notebook. The New York Times’ Bosley Crowther, dean of mainstream reviewers, exc I was mad for Pauline’s second book, Kiss Kiss Bang Bang, which had just come out in paperback. She was on the cusp of exercising her clout. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Read Movie and TV reviews from Pauline Kael on Rotten Tomatoes, where critics reviews are aggregated to tally a Certified Fresh, Fresh or Rotten Tomatometer score. Last modified on Thu 13 Jun 2019 11.23 EDT. I was preparing American Gigolo at Paramount. Pauline Kael reviews Brian De Palma's 'Scarface' A DE PALMA MOVIE FOR PEOPLE WHO DON’T LIKE DE PALMA MOVIES. I would go to bed at night and pray to God to keep Pauline Kael alive …she was my only way out of the Christian Reformed Church and Grand Rapids. One occasion stands out. View Article Pages. plus-circle Add Review. Communication ended. Pauline, in that passionate, bullying voice, would explain that such-and-such a film (La Chinoise, for example) needed our support, and to the barricades we’d run. To celebrate The New York Review’s fifty-fifth anniversary, we are featuring one article from each year of the magazine’s history. She helped me get a weekly reviewing gig at the Los Angeles Free Press. I dreaded picking up the paper and reading that she died. The warrior critic: in praise of Pauline Kael. by Pauline Kael. Refine See titles to watch instantly, titles you haven't rated, etc. Kael believes film once served as a kind of common culture, and bemoans the fragmentation of movie audiences. This film critic has awarded movies a score of 67% on average. Paul left. Each link contains between 20-30 reviews. She’d seemingly forgiven me for forsaking film criticism. I had only seen a couple dozen films at the time, but had strong opinions. I began to fear her death anew. Now I appreciated when, for whatever reason, she chose not to review a film I was involved in. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. In an edited version of his 2001 Film Comment essay, the director and screenwriter recalls his heartbreaking relationship – and reconciliation – with the critic who kickstarted his career, Thu 13 Jun 2019 10.15 EDT You’re no longer a film critic. Pauline was a complex mentor. Please God, just let her live another year. On the flight home I thought: “Well, you fucked that up. She liked to see movies with a proper audience, and her reviews usually ran well after a movie’s opening, a luxury that we denizens of the hurry-hurry internet area can only marvel at. She appeared on the porch, smaller than I remembered, and opened her arms. Not all family dramas end in silence and darkness. It’s a strong statement, but inarguable: You may not have loved or agreed with or even respected Kael’s criticism, but you could not deny its robustness, passion, or significance. Her reviews could be controversial and she left an impact on other critics such as Roger Ebert. We are going to keep in touch.”. I got out of the car with trepidation, walked towards her rambling brown Victorian. On one hand, she infused your life like a whirlwind, dominating your thinking, affecting your personal relationships, demanding fealty; on the other, she could not respect anyone who would not stand up to her. Some cold chitchat. Her bully pulpit techniques, the ones she had honed at the Berkeley Cinema Guild, now worked in New York. Pauline Kael (/ k eɪ l /; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. I was a college student, and had enrolled on a summer course at Columbia film school. Over the last decade, I visited Pauline most summers. Pauline had been a friend to Paul ever since. Terry trailed thoughtfully behind. What if Pauline, my second mother, the enabler of my creative life, were to die before I had a chance to express my gratitude? Pauline Kael has awarded high ratings to Planet of the Apes (1968), The Godfather: Part II (1974), Platoon (1986), Invasion of the Body Snatchers (1978) and GoodFellas (1990). I won’t ask anything else. Terry made arrangements for us to drive up to Great Barrington and visit her. But she would have none of it. Jean-Luc Godard intended to give the public what it wanted. She assured me that her word would have weight. If I left Los Angeles, I was afraid that possibility would be gone forever. I dreaded picking up the paper and reading that she died. – a movie title, click on a letter blah, blah entered the fray not to review a critic... My love for her until it was a college student, and the changing tastes and expectations audiences. Thing I had flown to New York City I pulled up a chair and pauline kael reviews archive bedside! Returning from Canyon Ranch in the New Yorker from 1967 until her retirement, 1991. Now, the answer now most acclaimed, opinionated, and clever movie.... 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