Italian painter Tommaso di Giovanni di Simone Guidi, who came to be nicknamed Masaccio, was one of the most significant painter of the early 15th century and the most important painter in the Quattocentro era of the Renaissance. There were many different panels in the altarpiece and although many of the panels were lost, the central one featuring ‘Madonna and the Child’ is regarded by critics as the most important one from the artistic perspective. Vanderbilt Historical Review / His father was Ser Giovanni di Simone Cassai, a notary, and his mother Monna Iacopa, the daughter of an innkeeper. There is no record that suggests that Masaccio ever married or even had a relationship in his lifetime. Although many of the panels of the fresco were lost; the remaining ones showed the profoundness of thought that went into the fresco. Masaccio’s first painting was the ‘San Giovenale Triptych’ that was completed in 1422. Celebrities Who Are Not In The Limelight Anymore. Like most of his Florentine contemporaries, Masaccio was strongly influenced by the humanism and three-dimensionality of the great 14th century Florentine painter Giotto . An artist who did cling to and proclaimed that tenuous idea of human dignity in his work was Tomaso di Ser Giovanni, better known by a belittling nickname, Masaccio, meaning "big ugly Tom." Masaccio and his brother Giovanni both became painters, though neither of their parents had been artists. Early years: Masaccio was born in 1401 in a small town outside of Florence called Castel San Giovanni de Altura (known today as San Giovanni Valdarno). Masaccio's fresco embodies two principal Renaissance interests--realism based on observation and the application of mathematics in the new science of perspective. His career was lamentably short, lasting only about six years. This particular work was done with inputs from the artist Masolino da Panicale, with whom Masaccio collaborated in several other works over the rest of his career. Their grandfather, however, was a maker of wooden cabinets (cassoni), which were often painted, and the family name Cassai comes from the word for "carpenter" in Italian. Masaccio was born to Giovanni di Simone Cassai and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (today part of the province of Arezzo, Tuscany). After producing ‘The Nativity’, Masaccio left for Rome and some historians believe that he helped his long time artistic partner Masolino with his work. Masaccio's father died in 1406, w… Their grandfather, however, was a maker of wooden cabinets (cassoni), which were often painted, and the … Christ gestures to Peter to cast a line into the sea, and Christ says that the first fish Peter catches will have the money in its mouth. Standing in front of the fresco “The Tribute Money,” you certainly get a sense of the story unfolding. For details of Masaccio's two acknowledged masterpieces from the fresco cycle, see: The Expulsion from the Garden of Eden (1424-6) and The Tribute Money (1425-7). September 30, By Charles Saatchi / Masaccio and his brother Giovanni both became painters, though neither of their parents had been artists. Fra Angelico, The Annunciation (Prado) Fra Angelico, The Annunciation. We know, or rather we think we know, that he was born near Florence on December 21, 1401 and that he died, aged 26, in Rome some time in the latter half of … Tommaso di Giovanni, called Masaccio, was born in San Giovanni Valdarno on the day of St. Thomas, for whom he was named. Masaccio completed another famous painting titled ‘The Tribute Money’ in the same year. Whilst the rounded figures show some influence from Donatello, one can also see in this panel the development of Masaccio's own individual style. Masaccio got the commission to paint the altarpiece at Church of Santa Maria del Carmine located in Pisa in the year 1426 and it was one of the most important commissions of his career. He was very absent-minded and happy-go- lucky, his whole attention and will being devoted exclusively to his art, and … It is visible particularly in the Christ child, who has been depicted not as a Gothic cherub but as a realistic infant. See the events in life of Masaccio in Chronological Order. The Telegraph / The painting had a deep influence on Michelangelo. Whilst some parts of this painting still show the more Gothic hand of Masolino, Massacio's innovative painting style is nonetheless evident. [] Documentation suggests that Masaccio left Florence for Rome, where he died about 1428. Masaccio was born in Castel San Giovanni di Valdarno, between Arezzo and Florence. 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